They are able to regulate the amount of venom they inject when stinging. Of course, insects aren’t the only small creatures to be wary of, there are arachnids (spiders or scorpions) and creepy crawlers, too. Cats are known for their tendency to chase insects and other small creatures. Birds are such great hunters, and very few land animals stand a chance against them if they’re unfortunate enough to be targeted. The period wherein Jeri Ryan felt as if she was «floundering around» was «for the first few days» of the production period. This time period is referenced in «Shattered», when the ship is mint toxic to dogs fractured through various points in its history; the cargo bay where Seven and the Borg drones were located regresses to this point in history, and it is Seven’s suggestion that allows the ship to be brought back into temporal sync. A CGI graphic of the multi-kinetic neutronic mine in this episode matches the design of the rogue, asymmetrical Borg ship that appears in TNG: «Descent» and «Descent, Part II». Mac Gargan appears as a minor antagonist in the 2017 Marvel Cinematic Universe film Spider-Man: Homecoming. MacDonald «Mac» Gargan, also known as the Scorpion, is a supervillain in Marvel Comics.
Along with the Boomerang and Vulture, Mac was incarcerated and treated in the Raft’s infirmary. Mitch Suskin believed that achieving the look of liquid space was the «most difficult» aspect of creating this episode’s visual effects. As Rick Berman had shown executives at both the network UPN and Paramount Pictures the typical look that Seven of Nine would later have in the series, there was some consternation when her look here was revealed. Shortly prior to working on Star Trek: Voyager as a staff writer, Bryan Fuller was amazed by this episode’s script — which he was given because his first Voyager episode was scheduled to be one that would centrally feature Seven of Nine — and he was further impressed when he then viewed the first part of this episode’s two-parter; Fuller consequently became extremely excited about the prospect of writing for the series. Kolbe said, «It was an excellent script.» (Star Trek: Communicator issue 119, p. The Official Star Trek: Voyager Magazine issue 15) Kolbe was especially proud of the character dynamic that he helped influence — the conflict between Janeway and Chakotay.
Ultimately, Winrich Kolbe was very proud of this episode. Kate Mulgrew was delighted by Winrich Kolbe’s directing of this installment. Several shots of Species 8472 were newly created for this installment. The emperor penguin is a species of bird that can be found in Antarctica. Yes, cats can eat scorpions. The sight of one of these fast tiny critters racing across the floor entices most cats. It’s a common misconception that cats are immune to scorpion venom and stings. These affordable shears also feature a snazzy scorpion emblem to add some unique style to your grooming kit! Rick Berman was likewise happy with the «Scorpion» two-parter, citing it (in 2003) among his favorites from the entirety of Voyager (along with «Timeless» and «Someone to Watch Over Me»). Ryan said. «The hardest thing about my first day was that every time I smiled or laughed, the laser over my eye popped off. Every time somebody said something, I’d start laughing again, so there was this constant battle with my eye.» (Star Trek Monthly issue 37, p. Electro-Mechanical Tail: The Scorpion’s battle suit was originally equipped with a superhumanly powerful tail that he could whip at speeds up to over 90 miles per hour.
Many of the battle sequences in this episode were difficult to choreograph. Mitch Suskin observed. «Many of the shots, the position of things really had an impact on the story we were telling, so it was critical.» One of these challenging sequences involved Voyager, the Borg cube containing Seven of Nine, Janeway and Tuvok, as well as the attacking bio-ship that destroys that cube. Suskin opined, «It’s amazing, because of the number of things that are happening in that shot.» (Cinefantastique, Vol. Suskin remembered. «We went through a number of different iterations. Some of the elements were 3-D, some of them were 2-D, but it was all composited in a 3-D environment with the ships. We put a combination of ripples and bubbles and smoke to give the sense of there not being empty space.» Suskin concluded about the environment, «It’s like nothing else we’ve ever really identified on Voyager.» (Cinefantastique, Vol.